For one night only, Shreveport Opera will present its contemporary series of one-act operas, "Art After Dark." The live production will be at 7 p.m. on April 30 at The Catholic Center, located at 3500 ...
Opera Parallele will present an engaging lineup for its 2026 spring season, featuring a mix of contemporary and classic ...
When an arts institution is faced with challenging times – as nearly every presenter has been, in the wake of the COVID pandemic and its slowly resolving aftermath – business sense dictates that the ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. The American Modern Opera Company (AMOC), led by Artistic Director Zack ...
The “Safety Curtain” series at the Vienna State Opera has put artwork from all over the world in front of audiences since 1998. By Farah Nayeri The Vienna State Opera is not exactly a go-to place for ...
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Opera is waging a battle to save itself in the modern world — and against self-inflicted wounds
Jonas Kaufmann will no longer sing at London’s Royal Opera House — because, of all things, the pay is too low. “I don’t know ...
A major update is arriving for the Opera Touch iOS browser today – now rebranded to just Opera. The latest version features an all-new refined UI to modernize the browser’s minimalist design that ...
Over the past 47 years, San Diego Opera has staged Mozart’s 1787 opera “Don Giovanni” five times. The last time was in 2015, when it was presented in a minimalist production dominated by oversize ...
Founded in 1883, New York’s historic Metropolitan Opera, which hired its first-ever chief diversity officer in 2021, isn’t known for being of the times. But with his focus on new commissions dealing ...
San Diego Opera won’t be announcing its next season until May, but two of the city’s smaller companies — Opera Neo and newly formed Opera a la Carte San Diego — have unveiled their upcoming plans, and ...
Leaving the War Memorial Opera House earlier this month, after the West Coast premiere of Poul Ruder’s “The Handmaid’s Tale,” I was left with a distinct thought: Is there where modern opera is going?
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